Going HAIR TO HEART means delving deeper and deeper, from the insensate organ of the hair to the organ that symbolizes the core of feeling and sensation. Many trajectories can connect these two edges, and each hair mask–death mask–hair screen helps me shape a starting point for choreographic-somatic research.

​

The threshold between sensation and insensitivity has a biological and social basis, as well as gender, status, ethnicity, and nationality-related consequences. Training oneself in going HAIR TO HEART, in repeatedly crossing the threshold of sensation, into pain and out of it, is an un-anaesthetizing tool for coping with a steadily shocking reality.